“I can’t critique this movie, to me it’s perfect. It’s got balls. [Screenwriter] Diablo Cody was outspoken and beautiful and smart and funny,” she said. “We were expressing a certain angst in a very specific, comedic way in a very specific genre. The special effects were so incredible, there were stunts, there was everything you could want.”
Though “Jennifer’s Body” has since found an audience as a subversive feminist cult classic, the film flopped on initial release, which Seyfried chalks up to poor marketing. “If the critics criticize anything, it would be the marketing,” she said. “The marketing sucked, it just did. And we all agree.”